Part II – Journey of a Book – setting up, hanging in there

The set up, which I thought would only take an hour, stretched to all morning. Coordinating the set up of an exhibition this size with so many ‘exhibitors’ had Michelle Richards, the Brisbane Central Library’s exhibition coordinator, running a million directions at once, advising as to ‘how [it was something new to a lot of us], finding stands and  suggesting modes of  display, and generally guiding us all through to ‘VOILA!’ – one  fascinating and very varied exhibition!

But there was more – not just the glass cases to set up, but hanging around to do the hanging!  this was not as straightforward as it sounds. We had to somehow attach our paintings to fine dangling wires and – here’s the worst part GET THEM TO SIT $#@*# STRAIGHT!

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Journey of a Book – Part I – children’s literature creation under the microscope

Books are created from the imagination and inspiration of authors and the insightful vision of illustrators. They are then crafted. The authorial crafting may be right brain with a touch of editing or slow and laborious left brain plotting. For an illustrator, it may be  inspiration flowing like rivers from brush or  stylus or it may be  storybook or dummy creation then rethinks, scrap some ideas, adapt others. Eventually, a book emerges that is then ‘ready for submission’. These days, that may mean  adding animation and audio to make the book a digital production for app developers like  Utales or Flying Books, or for YA, formatting it for Kindle or Nook e-publishers. It may mean self publishing on Createspace  or Lightningsource, Smashwords or Lulu.  Or it will mean the long road via submission to traditional publishers.

If the latter is chosen, the publisher will often require more editing, changes and perhaps more changes. My own book, started under contract to one publisher, was already well underway with the inimitable Sarah Davis as illustrator. We were having a ball creating our book. Then our publisher was taken over and the new publisher wanted  to  institute changes. At first, the major change – ‘get rid of the dead bird’ – seemed straight forward. Then we realised  the book needed the bird but, to keep it, we had to  make some big adjustments. An injured bird can’t just disappear in a children’s book, it has to get better and be released, which, in our picture book, meant its story  had to be woven into the fabric of the main story seamlessly. No problem, a few days and Sarah and I had nailed it! As book creators, you have to be flexible and, especially if going the traditional publisher route, you can’t be too precious about your creation.

SO! This exhibition is about the journey numbers of wonderful children’s and YA books took from creation to  bookshelf! Each book has a different creation story to reveal - something the public doesn’t see, it’s behind the scenes. Now the reader can take a peek backstage, behind the scenes to how it all came together!

THE SET UP

Setting up was not straight forward. The spaces has to be utilised to best advantage and the  items displayed needed to be seen from as many angles as possible given I had a two shelf rectangular glass case.  I didn’t end up using everything I brought with me. It would have been too cluttered. Last minute inclusion, bulldog clips, proved life-savers! They held the  photographic prints in place.

I had never ‘hung’ a painting before at an exhibition and that proved ‘interesting. Sarah Davis sent up her wonderful original painting via kindly courier, Peter Taylor, but it was unframed. I had no time to find a frame. Fortunately, I had one around the house that was  a good match colour-wise though not quite the  perfect size.

Given my exhibit was about my close collaboration with Sarah, the items displayed needed to reflect the two minds working together to make a new creative whole – our book! Sources of inspiration, stages in text change, changes in images, cover and trivia relating to the characters, objects and places in the book, all combined to make a successful ( I hope you agree) exhibit!

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The Exhibition, Journey of a Book, has a wide range of book journeys exhibited, from YA novel, like David McRobbie’s, to real life adventure  by Prue Mason, picture books like those by Kathrine Battersby and chapter books like the one by Angela Sunde, to non fiction works on calligraphy as an illustrative art form by Peter Taylor.

Book Safari – the Journey to Woodlands! Ipswich Festival of Children’s Literature

Peter Taylor, the multi-talented SCWBI Coordinator , Queensland chapter, and the Book Safari Coordinator, the inimitable Jenny Stubbs roped me in to help with the Book Safari tents at Woodlands. This was a first for me and proved to be an excellent networking and promotional activity. Opportunity abounded to talk to lots of teachers, students and other writers, illustrators, publishers and editors.  In other words it was reading, hearing, viewing and doing STORIES, pretty much non stop!

Links: Another great blog on the Ipswich Festival of Children’s Literature -

http://misshelenwrites.wordpress.com/2009/09/09/more-on-ipswich-festival-of-childrens-literature/#comment-569

Here is a pictorial overview from the days I was there – 2nd, 3rd and 5th of September.  PHOTOGRAPHS: 1-3 Woodlands;

Woodlands, Ipswich from the approach road

The heritage listed Homestead with the Book Safari banner at the entrance

Why it is called Woodlands.

4-6 Editors, Presenters, Writers and more…

Kristina Schulz, UQP, Leonie Tyle, Random House, Dr. Robyn Sheahan-Bright

Julie Nickerson, Cheryl Gwyther, Dee White

Justin D'Ath's very unique book launch

7-9 Illustrators and workshops…

Behaving like Wild Things at the mask making workshop with Lee Fullarton

Lucia Masciullo shows us her new books x 2

Lachlan Creagh inspires us with his own brand of wild things

10-13 The nomads at their tents…

Peter Taylor,writer, illustrator, calligrapher and SCWBI coordinator

Author/illustrators, Helen Ross of Miss Helen Books and Lynelle Z. Westlake

Lynelle Z. Westlake using every spare minute to create!

J.R.Poulter + books, Peter Taylor not losing a moment in the background

Jenny Stubbs and Book Safari Coordinators in hand-painted, South African t-shirts designed for the festival

MS Readathon Tent

14 & 15 Jenny Stubbs and the Coordinating Team outside the Jacaranda Room; MS Readathon Tent

16 – 19 The people who keep the writers and illustrators viable – the amazing folk of the BOOK GARDEN!

Douglas Fussell, author and early childhood adviser

John Moffatt, Book Garden troubleshooter

Deb Zavelsky, owner and children's literature supporter

The Book Garden logo