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Category Archives: children’s verse

Trends – New bends in the path to publication. By J.R.Poulter

Some time last year, Erica Wagner, Publisher at Allen and Unwin, was reported as having said, in relation to graphic novels, that there was a lot to be gained by submitting a  text already illustrated or mostly illustrated [Allen & Unwin publish purely commission only picture books]. Perhaps this may signal a change in direction that may even extend to those other illustrated tomes – picture books and picture book/graphic novel crossovers.

Some writers/illustrators I know have recently signed contracts for ‘print ready’ books.  This is not self-publishing, nor submission to a print-on-demand house but submission to a traditional, royalty paying publisher of a book that is ‘ready to go’ in publishing terms.

What constitutes a ‘print ready’ book?  It is a book that has been –

  • professionally edited,
  • proofread,
  • designed to industry standards,
  • professionally designed cover and,
  • if illustrated, has all images appropriately set.

This is a great way to go for authors who are able to pay illustrators and book designers up front. Most authors are not able to do this.  This then means all creators involved in a book project agreeing to royalty share and working between paid projects to collaborate on their book.

What have I gleaned about such ‘print ready’ deals? One company, smaller and reasonably new, offered a small advance and a good contract, by industry standards, with higher than regular royalty share for creators. An offer of help with promotion was also part of the deal. Another company, medium sized and established, offered no advance but better than average royalty shares for creators and help with promotion and marketing of the book.

How does this stack up against what is generally on offer now?

  • Small and middle range publishers, in general, do not offer advances.
  • Larger publishers offer advances depending on the book, depending on the author, and depending on the agent involved.
  • Smaller and middle range publishers often [there are exceptions] expect the author to do it all in relation to promotion, even requiring the submission of a marketing plan.
  • Larger publishers vary greatly as to how much promotion they will give a book.
  • Generally, publishers will submit copies of their publishing output for major awards, such as the CBCA, and to a selection of leading review outlets.

What’s the down side for author, illustrator, book designer, [often the illustrator], to go down the  ‘print ready’ publishing path?

  • It IS a lot of extra work for all creators involved to ensure the book is ‘professional’ standard even before it is submitted.
  • There is no money upfront.

Are the rewards worth the effort?

  • If you love collaborative work, it is a big plus.
  • Creators have much more project control to create the book they have collaboratively envisaged.
  • A quality product, ‘print ready’,  is a major bargaining point for creators/agents. ‘Print ready’ saves the publisher heaps!

The first company mentioned does small print runs, sells out their print runs, reprints and even sells out reprints and so it seems to be gradually snowballing.

It is too early to know in the second instance.  [I’ll keep you posted!]

My feeling is that, if Erica Wagner was sensing a ‘trend’ and if these companies make a success of it, we will see more such deals.  It’s something to think about!

My own news –

TOOFS!-Promo-3To be launched end of June – “Toofs!” a collaboration between J.R. and Estelle A.Poulter and illustrators Monica Rondino and Andrea Pucci.

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Summer Reading Club 2012/13 – Untangled Tales is choc full of holiday awesomeness

The Untangled Tales website is the best  of the Summer Reading sites. Going over the site, was like being in one of the famous ‘But WAIT, there’s more!’ advertisements! At every click of the mouse, there was more and all of it FREE! There is something here for children of all ages [preschool, primary, secondary], for their parents, teachers and librarians. The site is gorgeous [literally] to look at, easy to navigate, entertaining in content and layout and engagingly informative!

The Celebrity Corner  questions brought out the creative quirkiness of authors and illustrators in a very entertaining way and featured a very diverse group of creatives!

The Untangled Tales game is a blast – great fun! It challenges memory and  prods research capabilities and informs about other cultures, their customs and attitudes as reflected in their  fairytales and legends.

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Check out the  side tabs and their drop down menus – there is heaps and heaps of  fun activity, fantastic tales, playful poetry and fanciful stories, arty opportunities, creative competitions in writing and art activities and painless learning along the way!!

I’m thrilled to be part of this  year’s Summer Reading Club. I’m in Celebrity Corner with Kerry Brown, Christian Bocquee [with whom I am collaborating in our own Fractured Fairytales collection], Terry Denton, Lucia Masciullo and numbers of other wonderfully creative folk!

PERSONALISING YOUR STORY – an additional outlet

Personalising your story by J.R.Poulter

Are you seeking an additional paying outlet for you work?

A personalized version might be the answer!

Various companies take the illustrated text for children’ stories and modify them to create a ‘personalised’ version. The company will do the personalizing for you but, in my case, I chose to submit my own ‘personalised’ version’.  Some of my ‘personalised’ books are coming out with Frecklebox, who have also published personalised versions of books by friends.

Having a ‘personalized’ edition does not prevent you from still seeking out publication of your original text.  Contracts are non-exclusive.

If you are publishing with a small company, they might be interested in adding the option of a personalized version of your story for sale digitally.

How do you do it?

“The little boy clapped his hands gleefully! The thing in the grass glittered up at him in rainbow colours. He tried to grab it!  “Oh!” he exclaimed, the beautiful thing had moved, just out of reach…” [JRP]

Becomes: “Edward clapped his hands gleefully! The thing in the grass glittered up at him in rainbow colours. He tried to grab it!  “Oh!” Edward exclaimed, the beautiful thing had moved, just out of reach…” [JRP]

For rhyming stories, a refrain can be added in to provide the ‘personalised’ element. An example from an upcoming ‘personalised’ version “Ten Little Heroes”, a picture book with a counting element, illustrated by UK illustrator/animator, Alex Slack:

FOUR Little Heroes flying to the moon,

One said, “I’m Space-man!

See you SOOOooon! ”

Oops a doops, a whoopsie there!

             Mike to the rescue! Mike is here!

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Once you have the hang of the text conversion process, you might choose to offer personalized versions of your digital books [e.g. on the App Store, Utales.com, Kindle, Nook, Adobe Digital editions, etc], or self-published children’s books from your own website/store.

Illustrators’ Alert – Nami Island Concours – Nambook Festival

Opportunity for Illustrators internationally - Nami Island Concours

Opportunity for Illustrators internationally – Nami Island Concours

The wonderful people of Nami Island Concours have created another outstanding opportunity for illustrators all over the world! The dream of these folk, who are so passionately devoted to children’s literature, is to  turn Nami Island into a library! 🙂 Angela Kim is the  Assistant Manager and the person to contact if you wish to know more – her contact details are on the website.

These are the links  – Nami Island Concours, Guidelines and information

Application forms

Festival information

You can find the brochure by going here.

Luvverly LISTS for Writers and Illustrators!

Hi Everyone! 🙂

Lists can be extremely useful, especially when they are constantly being updated!

Here are SIX such.

The first, compiled by the enterprising and enthusiastic Brain Grove, is a list of US publishers who are currently accepting submissions for children’s books – http://j.mp/SVbnCk  – he also, very helpfully, adds links to each entry to take you straight to the site.  I also recommend his ebook on  query /submission letter writing.

A second list, an international one, that is  regularly updated is on Lou Treleaven’s Blog:

http://loutreleaven.wordpress.com/2010/07/21/childrens-publishers-accepting-unsolicited-manuscripts/

The third,  a veritable database of bloggers who interview and/or review, is continuously being updated by the very proactive authors, Delin Colon and Lisa Kalner Williams – http://bit.ly/writerinterviewopps …

Fourth – a database of legends and folktales – if you are looking for inspiration for twists on fairytales or legends, fables etc – here is a whole swag!

Fifth – oh this one is an essential! The inimitable Katie Davis’s Tool Kit is  linked out under 5 ‘HEADLINE’ headings!!

If you haven’t joined www.jacketflap.com, I highly recommend it – an excellent networking site for all things related to children’s literature and books.

Latest addition, number six, Rachelle Burk has a wonderful resource site –  http://www.resourcesforchildrenswriters.com/ –  her awarded list of wonderfully helpful links is truly encyclopaedic!

Get busy and good luck!

Journey of a Book – Part I – children’s literature creation under the microscope

Books are created from the imagination and inspiration of authors and the insightful vision of illustrators. They are then crafted. The authorial crafting may be right brain with a touch of editing or slow and laborious left brain plotting. For an illustrator, it may be  inspiration flowing like rivers from brush or  stylus or it may be  storybook or dummy creation then rethinks, scrap some ideas, adapt others. Eventually, a book emerges that is then ‘ready for submission’. These days, that may mean  adding animation and audio to make the book a digital production for app developers like  Utales or Flying Books, or for YA, formatting it for Kindle or Nook e-publishers. It may mean self publishing on Createspace  or Lightningsource, Smashwords or Lulu.  Or it will mean the long road via submission to traditional publishers.

If the latter is chosen, the publisher will often require more editing, changes and perhaps more changes. My own book, started under contract to one publisher, was already well underway with the inimitable Sarah Davis as illustrator. We were having a ball creating our book. Then our publisher was taken over and the new publisher wanted  to  institute changes. At first, the major change – ‘get rid of the dead bird’ – seemed straight forward. Then we realised  the book needed the bird but, to keep it, we had to  make some big adjustments. An injured bird can’t just disappear in a children’s book, it has to get better and be released, which, in our picture book, meant its story  had to be woven into the fabric of the main story seamlessly. No problem, a few days and Sarah and I had nailed it! As book creators, you have to be flexible and, especially if going the traditional publisher route, you can’t be too precious about your creation.

SO! This exhibition is about the journey numbers of wonderful children’s and YA books took from creation to  bookshelf! Each book has a different creation story to reveal – something the public doesn’t see, it’s behind the scenes. Now the reader can take a peek backstage, behind the scenes to how it all came together!

THE SET UP

Setting up was not straight forward. The spaces has to be utilised to best advantage and the  items displayed needed to be seen from as many angles as possible given I had a two shelf rectangular glass case.  I didn’t end up using everything I brought with me. It would have been too cluttered. Last minute inclusion, bulldog clips, proved life-savers! They held the  photographic prints in place.

I had never ‘hung’ a painting before at an exhibition and that proved ‘interesting. Sarah Davis sent up her wonderful original painting via kindly courier, Peter Taylor, but it was unframed. I had no time to find a frame. Fortunately, I had one around the house that was  a good match colour-wise though not quite the  perfect size.

Given my exhibit was about my close collaboration with Sarah, the items displayed needed to reflect the two minds working together to make a new creative whole – our book! Sources of inspiration, stages in text change, changes in images, cover and trivia relating to the characters, objects and places in the book, all combined to make a successful ( I hope you agree) exhibit!

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The Exhibition, Journey of a Book, has a wide range of book journeys exhibited, from YA novel, like David McRobbie’s, to real life adventure  by Prue Mason, picture books like those by Kathrine Battersby and chapter books like the one by Angela Sunde, to non fiction works on calligraphy as an illustrative art form by Peter Taylor.

The Self-Publish Journey with a Children’s Book – Jo Linsdell’s Experience

Why Choose Self-Publishing – Jo Linsdell’s experience as a new children’s picture book author

“Why did you choose to self publish?” 

I wanted full control over every aspect of the book. I wrote the story for my son and designed it to suit his tastes. the fact that he played such an active role in it’s creation makes it all the more special to me. By self publishing I got to call all the shots and make it exactly as I wanted it.

“Why did you choose to do the whole book yourself, instead of collaborating with a writer or an illustrator? Are there drawbacks to  going it alone”

I studied art and design at college and love it. I figured I might as well put both my writing skills and my illustrating skills to practice. Why hire someone else when i can do it myself? There is a down side to going it alone though. For example, I had no problems in sketches the illustrations for the book, but making them digital and print quality was a whole different story. I’d never used a graphic program before and so it was a huge learning curve for me. Luckily for me, one of my tech savvy friends was on hand to give me advice and assistance. he saved the day more than once 😉

“How has the experience been for you so far? “

Great. This book has been so much fun to do right from the beginning. I’m having fun with the marketing side of things too.

Is the process something anyone could undertake or do you need to be tech savvy?”

I think a certain amount of tech-savviness is definitely a plus. If you’re not lucky enough to have a graphic friend to help out with the technical stuff than I suggest going a different route. There’s so much you need to know, from what colours you can use to dealing with transparencies and layers, in order to get a quality end result. Producing a children’s book is not as easy as some people might think.

“How cost effective is self publishing?”

Very. I spent no money in the creation of the book. I wrote the text and did the illustrations myself. I’m also lucky to have a fantastic network of friends that volunteered to proofread for me and help out with my technical questions. My network has been amazing in supporting my promotional tour to launch the book too with many of them offering to host me on their sites, review the book and help spread the word.

The only cost I’ve had was $25 to have the book added to expanded distribution via createspace (to make it available to bookstores, onlne retailers, libraries etc…) and the cost of a proof copy.

“How time effective is self publishing with regards to  all the promotional and marketing work?”

Marketing takes up a lot of time. I don’t think self publishing differs particularly from other publishing routes when it comes to marketing though. Even if you publish through a traditional publisher you will be expected to do a certain amount of promoting yourself.

“Would you choose self-publishing over traditional publishing?”

I did. Self publishing was plan A for me. The reputation attached to self publishing has changed a lot over the last few years and even big name authors are ditching their traditional publishers in favour of self publishing their work.

“Would you self publish again?”

Definitely. I would only consider using a traditional publisher if I couldn’t get the result I wanted on my own.

Jo Linsdell

www.JoLinsdell.com 

REVIEW

Out and About at the Zoo

Out and About at the Zoo

Jo has chosen a palette of bright flat colours such as young children love for her first picture book, “Out and About at the Zoo”, which she wrote with her small son acting as honorary head of her children’s consumer advisory panel.  Her son influenced her story’s creation each step of the way, which has made the whole experience  of making this, their first picture book, very special indeed.

The images of the animals are cheeky and fun and are complemented by the simple narrative with a strong rhyming element. Children love the musicality in rhyme so I can see why her little boy loved this mode of storytelling. I’m sure other children will find it fun too!

Collaboration – an adventure to be savored!

I have found the opportunity to collaborate with illustrators something eminently rewarding, an experience that  enriches both participants and results in a more vibrant and much richer work. It does this because, in the best collaborations,  it  broadens the vision of the work, taking in as it does the illustrator’s perception of the story’s universe.

My first picture book, “Mending Lucille” was the result of a collaborationWorking with the amazing Sarah Davis was inspirational! I have gone on to collaborate closely with illustrators all over the world. I have found them on the internet’s illustration sites, on http://www.Jacketflap.com and on http://www.utales.com. We have created and are creating numbers of other picture books, some digitally published, some in process with print publishers and some I am still researching the right publishing outlet. Finding the ‘right’ outlet is very important. Not every publisher is ‘right’ for every book.

Digital Publishing

I have had the pleasure of collaborating with first time picture book illustrators, Jade Potts [USA], Jonas Sahlstrom [Sweden], Alexandra Krasuska [Sweden] and fellow Aussie, Jodi Magi [now of Abu-Dhabi] on uTales, and am about to have my latest collaboration, “Little Dragons’ Babysitter” released with Caroline Lee. Utales is non-exclusive which means  creators can take advantage of other  opportunities for their work as they arise. I have just signed a contract with Flying Books, Islreal, for “Rich Man, Poor Man” the book I did with Jodi Magi. My first digital collaboration is on http://www.istorytime, “At the Beach with Bucket and Spade” with Sarah Bash Gleeson [USA], whom I met on JacketFlap.com, a wonderful children’s literature networking site along with many other amazing and inspiring folk. Sarah is editor of magazine, “Dream Chaser” which focusses on children’s books and their creators.

Joanna Marple’s mini review of my latest digital book, “Xengu and the Turn of Tide”:

“A Tolkienesque tale, I love it!”

See a review of her first picture book in my last blog post with links to her interview with Darshana Shah Khiani on “Flowering Minds“.

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Thoughts on Collaborating, incorporating an Interview with Joanna Marple on uTales

Collaborating

Darshana Shah Khiani‘s interview on her Children’s Book Review site, “Flowering Minds”, with new children’s picture book author, Joanna Marple, is revealing on lots lof levels.

Joanna and Darshana met on children’s writer and illustrator FaceBook site, 12 x 12 , a very lively, supportive, share and learn community set up by Julie Hedlund. When Joanna released her very first picture book, a collaboration with the very talented Maja Sereda, Darshana jumped in with the interview offer.

“Snow Games” is a fun tumble and rumpus in winter’s wonderland aimed at 3 to 7 year olds. Maja’s wonderfully endearing little animal characterisations beautifully complement the story.

Joanna  shares what it was like to collaborate with Maja to create “Snow Games”. Close collaboration between author  and illustrator is a circumstance largely [and sadly] foreign to most traditional print publishing. For Joanna and Maja it was a fun and very rewarding experince. But the interview goes beyond the creation of  “Snow Games”. It also details Joanna’s experience of the uTales website and her thoughts on traditional and digital publishing.

Cover for “The Sea Cat Dreams” collaboration with Muza Ulasowski, a narrative verse story with a theme of surviving the changes in life.

Joanna Kindly makes mention of my collaboration with noted animal and wildlife illustrator, Muza Ulasowski, a story about surviving change, “The Sea Cat Dreams”. Muza was one of many wonderful illustrators I met on the uTales Facebook group and have since worked with to create a varied range of children’s books.

How to Create a Website in 3 Steps (with 10 thumbs)

How to Create a Website in 3 Steps (with 10 thumbs). This is good sense advice succinctly put from Jo Ann Carson. NOTE – you do not have to buy. Word Press, Yola, Weebly and Wix all provide excellent ‘free’ – yes, that’s what I said, FREE’ site templates, easy to assemble [if I can, anyone can] with lots of whizz-bang features!