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Category Archives: heroes
Andrea has gotten it spectacularly right! The CEO of Tell Me a Story launched 10 new titles on 30th June, this year. I was privileged to be guest speaker at an event that had even seasoned politicians, Ian Rickuss, MP Lockyer, and Steve Jones, Mayor, Lockyer Valley Regional Council, commenting on attendance numbers!
Assembled authors, illustrators and guest panelists with Andrea Kwast
Muza Ulasowski [Panelist] and Guest Speaker, J.R.Poulter
The audience was rapt. I have seldom been at a publishing event where everyone’s eyes shone! Andrea has the devoted support of her very wide community of readers and growing. She also has the good fortune to have a very devoted group of assistants in administrator, Rel, and local photographer and budding author herself, Jenni Smith.
Research and innovation, preparedness to think out of the box, are hallmarks of Andrea and her team. She believes stories are lurking everywhere and it just takes the right determination, editing and dedication to bring them out. That she is succeeding over and above expetaction is more than demonstrated by the sellout and reprint, within the first few weeks since the launch, of no fewer than 3 titles!
Hearty Congratulations Andrea and Team and to all her authors – keep writing!
Ian Beck on Visualizing the Characters in his YA novels,
Hearty congratulations on the release of your two new YA novels, both in the one year! That is some achievement! I’m fascinated by how you come up with such a range of amazing and vastly different characters and all so vividly drawn.
Do you ‘see’ with your illustrator’s eye, the characters before you flesh them out? What part of the author is still the illustrator? Does the novel roll out in movie sequence in your mind?
I do see the characters quite clearly and I watch them move about in my head too, so in a sense it is a little like watching an inner cinema sequence but not quite, not entirely. At the same time you are questioning their motivations and inner lives, thoughts etc so it is also like seeing an x ray of the character too, all very hard to explain and much more like a waking dream than a film, and one which you are able to leave and enter again at will. The story certainly rolls out in movie like sequences, a chunk at a time but not necessarily in the narrative order, which is where the importance of editing comes in, the shaping and reordering and the advice and admonitions of the third eye, your editor, which is the vital spark. I could never publish my drafts without the benefit of my editor’s input.
Firstly, the characters in “The Hidden Kingdom” [see review below]-
What was the origin of Prince Osamu, the arrogant prat turned soldier king?
The whole book started with a single sentence. I wrote it for inclusion in a book which was intended to kick start ideas in children and encourage their own writing . The original sentence went something like, ‘The Prince woke to the howling of wolves’, and I thought, ‘well I would like to write that story myself and see what happens’, and so my Prince was the first settled character around which the story built. I imagined him as a pampered princeling in a fairy tale forced to confront something very big but I wasn’t sure what it might be at the beginning of the process.
Why Baku and the Snow Maiden? Is this a tip of the hat to the Brothers Grimm with their tales of transformation and tragic love, thinking particularly of The Little Mermaid, but with role reversal?
Not quite, Baku and the Snow Maiden were in a separate book, based on a Japanese myth story. It was only after working on both discretely for a few months that I realised in a flash of inspiration, (which now seems obvious but didn’t at the time), that they belonged in the same book as Prince Osamu.
Lissa, the warrior maid, is a thoroughly modern miss. What were her antecedents?
I think Lissa is to me quite clearly based on the character and beauty of Zhang Zi Yi in the film Crouching Tiger Hidden Dragon, that is exctly how I saw her in my mind, fiery and difficult, but dedicated to the saving of the Prince even though she begins the story despising his weakness.
Secondly, the lead roles in the very visually realized, “The Haunting of Charity Delafield” [see review below]-
Charity Delafield, is a quintessential heroine for a disaffected generation. The working woman’s children, tossed from home to childcare, child care to school and back and never long enough in one place to identify with it as ‘home’, whom I suspect ask ‘Who is Mum? Is she really the hollow eyed lady who picks me up late afternoon/early evening, rushes me through dinner to bed and pulls me out in the morning, drives me and drops me off with a stress fraught kiss and a wave?’ Charity is a brave new kind of heroine, finding her way, finding herself. In a seemingly disaffected world. What inspired her?
Charity began life as picture book idea. I had drawn some rough sketches of a girl in a long red coat out in the snow in an old fashioned formal garden. I liked the place and time of the story, the only difficulty was that there was no story. At about the same time my daughter started leaving notes for the Fairy she believed to be in the house and I started to leave replies in minute hand writing, which developed into a nice game. I mentioned them to my agent and she thought it might be worth developing as a book. My editor at Random House, Annie Eaton, always liked the initial drawings and would occasionally enquire if I had done anything with them. After I had finished the Tom Trueheart books, I finally saw a way to develop the story as a novel with the girl in the red coat in the garden. It went through three very different drafts before it was finished.
Do you ever get tempted to ‘storyboard’ the creation of your characters in the way you used to ‘storyboard’ illustrations to a picture book?
I do have visual avatars of my characters in mind usually a strange amalgam of bits of drawings and half remembered films, or people I know or have known and so on.
Have any of your own doodles or sketches actually inspired one of your book characters?
In the case of Charity Delafield certainly yes.
How do you go about plotting a story or does it just flow through mind to pen as if you are scribing from a screening?
I am very much a ‘gardening’ type of author. Apparently there are two kinds of author, Architects and Gardeners. Architects plan carefully, and gardeners scatter seed and wait for the growth. I tend to plan in retrospect, what Bernard Cornwell calls ‘putting doors in alleyways’.
Finally, what are you creating for readers right now?
I am working on several things. One is a book of my own poetry (for grown ups) called, Behind The Dusty Glass. This will be a limited edition and finely printed on heavy paper, illustrated by me too, and in the case of the special copies each illustration will be hand coloured by me as well.
Click here for a preview of poem and illustration for “Behind the Dusty Glass”: “Flora at Kings X” by Ian Beck from forthcoming “Behind The Dusty Glass”
I am also publishing a book of poetry which I have written as if I were someone else; namely the husband of Lucia in the Mapp & Lucia books of the 1930s by E F Benson. He is called Pepino by Lucia and his book is called Fugitive Lyrics. The poems are mentioned in the novel and the appearance of the book is minutely described. He is dead and Lucia wants to be found reading the poems in her grief but can’t untie the ribbon on the binding. My late Brother in Law, Jonathan Gili, always wanted to see the fictional book made real and so it is being created in his memory as an elaborate spoof. I have also illustrated the poems and, again, specials will have hand colouring. I am also writing two novels. One is called The Sky Stone and is set in the 1300s, a big adventure story about art, lapis lazuli, and a fallen warrior which will be published by Oxford University Press. For Random House I am hoping to write a series of stories collectively called; The Casebooks of Captain Holloway about a top secret department during world war two in London dealing with the mysterious and the occult and the inexplicable. The first will (I hope) be called The Disappearance of Tom Pile. I also hope to write the story of the Sweep’s boy Silas and what happens to him up to and after the Charity Delafield story.
Thank you Ian! We have a feast to look forward to! Keep us posted! 🙂
Review – The Hidden Kingdom, by Ian Beck
The Characters are drawn very visually in this old world adventure with an Asiatic setting. This is no surprise, as author Ian Beck , is also a master illustrator who half way through his illustrious career turned to story telling himself. The prince, Osamu is very typical of his era and culture, spoiled, petulant, and arrogant. Not a particularly likeable character till circumstances take through him together with Lissa, a girl soldier and Baku, a humble potter’s assistant and the three of them find themselves fleeing for their lives in an unforgiving winter, though lands torn by war with a supernatural origin. Will the prince find his destiny, despite himself, as leader of his besieged people? Will the young potter ever find happiness with his love and nemesis the mysterious snow maiden? And the fierce soldier girl, is she capable of more than dealing death? http://www.youtube.com/watch?v=DyLad-6odnw&feature=related
Review – The Haunting of Charity Delafield by Ian Beck
Have you ever felt you are a stranger to your own family, a prisoner in the life you find yourself living? The heroine of Ian Becks’ latest YA book experiences exactly that. Her father treats her a bit like a potentially dangerous alien, surrounding her with rules and regulations so she feels a prisoner in her ‘home’. And where is her mother…? Children are good at unraveling conspiracies of silence, and this is exactly what Charity does with the help of a mischievous chimney sweep and a curious black cat. The cover is wonderful, a genuine enticement to open and savour contents, but then Ian Beck is a master illustrator as well as an award winning author. Peopled with larger than life characters and a magical world within a world, this is a thoroughly enjoyable read. The central character deserves a revisit in another adventure. http://www.youtube.com/watch?v=_XMwYigBNiw
When Jenny Stubbs, Festival Coordinator Extraordinaire, told me I had a slot to launch “All in the Woods” I was ecstatic! It was my first book to be published in the UK and a launch venue at the Ipswich Festival of Children’s Literature, Woodlands, was almost too good to be true. Jenny facilitated a link to Aleesah Darlison who agreed to MC. BRILLIANT! What could go wrong?
The Ipswich Festival is always an exciting event! It is held at Woodlands, a stunning, heritage listed venue set amongst rural fields, magnificent trees and rolling hills – what a setting for a launch! The lead up to the day, Tuesday, 13th September 2011, was a real buzz! Then the unthinkable happened… The weekend before, my throat started to get that irritating little scratch and that niggly cough that sometime precedes worse. Sunday night it started to hit! Laryngitis!
Friends, good friends can be the saving of such worst case scenarios. I spoke (whilst I still had a voice) to Tara Hale, who designed the promo poster, would she be Guest Artist “Pink” the possum [cousin of “Ink” the animal hero of my book]. Next I contacted Nooroa Te Hira, he has worked as a tour guide so I knew he would ace a reading of my book. Then I rang Christian Bocquee and asked would he help with nitty grittys like directing teachers and students to seats, distributing prizes and general moral support! Bless them, they all ‘volunteered’ unstintingly!
Result? Fun, fun, fun! We had a ball, the book launch was a total success! The author having to use copious amounts of sign language but, hey, she has 5 kids so she speaks the lingo with hands and fingers! 🙂
You can see some of the fun in the gallery below.
And the book, which was illustrated by wonderful watercolourist Linda Gunn
? It had been a truly international effort – written by an Aussie, illustrated by an American and published by a Brit! The icing on the cake was a nomination for the OPSO Award!
Here is a recent review by Kathy Schneider!
Where can you get it? Here!
CHILDREN AND WAR ANTHOLOGY
This anthology, to be published by Cinco Puntos Press in
2011 or 2012, will explore all angles of children’s and
teenagers’ experiences in war. The core of the book will
be personal essays, memoirs, journalistic accounts, and
historical narratives, both previously published and
original pieces. It may also include photos, artwork,
posters, and other debris that depicts the effects of war
on children and teens. Though the book will be primarily
non-fiction, we may include some fiction, and we are willing
to consider pieces about both current and past wars. “War”
is defined liberally to include both “official” declared
wars as well as secret, unofficial wars, such as those carried
out by governments on civilians in places like Chile, Argentina,
and Zimbabwe. All submissions, queries, and suggestions should
be sent to J.L. Powers at firstname.lastname@example.org by June
NOTE: While the guidelines do not state the payment rate, I
spoke with Jessica Powers, editor of the anthology, and the
payment is $200 per story accepted.
Like all good illustrators, Matias is a storyteller with paint and ink. The joy of working with folk like Mattias, Angel Dominguez, Bernhard Oberdieck, Nick Harris, Sarah Davis and others, is that they can load layers of meaning into a single picture adding dimension to the text. They are also able to add illustrative subplots of their own that augment the main plot and add visual interest. The other joy, and I speak here as a writer, is that their very doodlated sketches and ‘just for me/ for fun’ works speak, story positively oozing out the edges. I have episodes of total right brain escapism let loose with Mattias’ tantalising takes on everything and anything and more. Many of the Wacky Wordages on my blog or available for teachers and students and others via www.sharing-books.com, are the result of such episodes of creative indulgence.
and more characters…
Jennifer: The comic book element is present in many of your blog posts, you mentioned a course in comic writing/creation. What brought on that deviation? What are you ambitions in venturing into that genre?
I’m not a big comic reader (I used to be though) but I’d like to do some kind of comics/book soon. My priority has to be making a living though, so it’s hard finding time making something like books and comics on my own time without the monetary backing.
Jennifer: The sense of story in your works is strong. Do you have plans for your own children’s picturebook? What about a darkly humorous graphic novel? [You keep tantalizing us with hints of projects underway.]
Mattias: I have a problem with too many ideas at the moment, I need to focus on print and leaving the web perhaps, I spend far too much time doing internet things. Maybe a yearlong web sabbatical would do the trick.
Characters in current book project, “Improbable Adventures…” :
Jennifer: I find your work inspiring in a dangerously right brain way!
Do you find the drawings evolve themselves from the end of your pen and do their own thing or do you try to control them?
Mattias: I often say that the drawing kind of evolves rather than being planned, but when I look at the drawings I do, or rather, I can see certain themes, I guess that my right brain does know what it wants to draw…
Some of Mattias’ ‘right brain inspired’ series :
Jennifer: Do you get many approaches from the corporate world? I mean if I were Mojo, I’d want you to design my logo! What are some of the more oddball commissions you have had?
Which commissions do you enjoy the most?
Mattias: I get some approaches but not enough and far too few are oddball, I’d love to do textiles or pottery (not sure about the right name for this). The strangest was doing fashion Illustrations for an English magazine (I’m totally uninterested in fashion). The best commissions I’ve done are when I get a free hand (surprise)!
A variety of output….
Jennifer: There is a great ‘new’ interview with Mattias on Design Taxi for the curious. So, Mattias, having barraged you with questions, which one that you DESPERATLEY wanted me to ask, have I left out? Now is your turn!
Mattias: Do you sometimes fret over if you are too much of an illustrators’ Illustrator and may be not have a very commercial style? The thought has occurred to me lately. I’m trying to get commission work and maybe an art sales rep, but it’s hard and very time consuming.
Jennifer notes: The mechanics of earning a living with art and literature require, especially in in the early stages of ‘breaking in’, other work which seems constantly to threaten to rob that precious and closely guarded creative element, ‘time’, and yet the art/literature is the raison d’être and the other, the ‘intrusive’ work, merely essential if the writer/artist is to do something as mundane as eat.
More variations of Mattias’ output:
And, just to show Mattias does not just do humorous work, but very delicate and detailed pieces as well, I have included the flowers at the end of the interview.
Update: Project Smile goes to France – http://smilesprojectfrance.wordpress.com/#comment-16
All about Project Smile – the international goodwill outreach to children and their families.
Jennifer: Hi All! I am interviewing Marek Wysoczyński, Director of the Bureau for the Promotion of Culture, Gdansk, Poland. Marek, would you tell my readers something about yourself and your background, your experience with large scale exhibitions leading up to Project Smile?
I studied law at the University of Gdansk where I received my Master of Arts in History degree. I was an actor in the German language Theatre Logos and also a teacher of German. I was a history guide in the Central Maritime Museum, an archivist, teacher of history and a manager for special events. At that time, I created a series of concerts entitled “Music on Water” which have been presented by me on a regular basis since then. I was the director of the Baltic Centre of Culture. I organized the Millennial Concert for Emma Kirkby. I was awarded a Gdansk Millennial Medal. I created the Franciscan Centre of Culture in Gdansk and organized music festivals called “Musica Mariana”.
As for now, I am director of the Culture Promotion Office and organize various concerts and novel exhibitions all over the World. I was a co-organizer of the Festival of Culture of Europe in Georgia and organized an Opera festival in Dubrovnik. Every year I organize special carol concerts in Palestine and Jerusalem and, last year, I organized one in a Turkish bath in Skopje. The Office, together with the Goethe Institute, organized a series of Polish song concerts sung in German in Paris and Alexandria. My artists performed Ave Maria concerts in various languages (including Arabic) in the Cathedral in Cairo and also in churches in Turkey, Portugal, Romania and Slovenia. They also sang for SFOR soldiers in Bosnia and NATO soldiers in Kosovo. There was also a concert for the Jordanian princess and a Russian song concert organized by the Russian Embassy and the Polish Embassy in Tunisia. The Office promotes musicians, actors and international co-operation in the field of culture.
I organized an exhibition of 1000 autographs as a part of the Millennial Anniversary of the City of Gdansk. That was the start of the idea to collect autographed smiles for Children’s Hospitals and also for other Institutions.
The exhibition presented annually during the Polish Films Festival in Gdynia and in Perpignan, in the Institute of Polish Culture in Budapest and during the Festival of Good Mood in Gdansk. The exhibition was also presented in Chelmno in the Town Hall. In May, 2008 the exhibition was presented in Insurgentes Gallery in Mexico and in June in the Children’s Hospital named after Maria Curie Sklodowska in Romania and in Children’s Museums in Italy and in Poland.
Jennifer: In the midst of a very busy position, you have managed to inspire others with a ’brainwave’, the simple but wonderful, empowering concept of an exhibition of ’smiles’ from celebrities of all ilks from all over the world! What started it all? How did you come up with Project Smile?
When, in 1980, I received my first autograph, that of Kalina Jedrusik, I never thought I would have over 1000 of these footprints of human existence – small pieces of art, as I call autographs, because people often draw something near their signature.
Whilst collecting autographs, I was also thinking about sharing my joy of life with the community and comparing it with the transient keepsake that comes from contact with personalities. The first time I managed to show them was at the Millennial Anniversary of Gdansk, when they were shown at the exhibition entitled “1000 autographs for the Millennial Anniversary”. I observed the people visiting the exhibition and saw their joy and surprise. Generations – grandparents, parents, children and grandchildren, all together, explaining to each other who was who. Young people did not know older actresses and the older generations had no idea about rock musicians.
After the Gdansk exhibition I began to dream about sharing my passion, about sharing my joy with others. Then I got the idea of collecting autographs accompanied by the picture of a smile. The first idea was to show “Project Smile’ in children’s hospitals, but it soon appeared that smiles drawn by the Jordanian Queen, Krzysztof Penderecki or Liza Minelli pleased adults too. What is more important, adding a smile also pleased the people whom I ask to draw them. A smile is possible to create in a moment, even in the most difficult times. When we look at a child’s smile, even if we are in mourning, are ill or in trouble, we smile instinctively.
An autograph itself is calm and quite like a fresh painting, as it “reveals the mortal hand” not only in the poetical dimension but also in the dimension of common, fleeting life. At least it is the visible sign of our having passed by.
Smiles joined with autographs are something to introduce joy into our lives and into hospitals both for children and adults.
When I started collecting smiles I wrote:
A Smile, it is a drop of crystallized Joy
When a child smiles at us we smile, everyone, everywhere!
A child’s smile is pure holiness, a gift of life
Not to be sullied by the evil of unhappiness
When giving sick children our warm smiles
We return their own smiles to them
And remind ourselves of the smiles of our own youth!
We received from archdiocese Honiara a smile from the Archbishop of the Solomon Islands and his poetic quote:
Jennifer: At a time when the world is in the grip of an economic crisis with all its hideous far reaching effects for individuals and families globally, we needed this project. It is inspiring! Would you share with us some of the reactions you have received to the project?
Marek: A Smile is good at all times, for any kind of situation, even the ‘commercial’ smile of the stewardess in a plane, a smile puts people at ease, it welcomes.
As for a drawing smile for the project , all kinds are good and sometime the drawing of the smile brings the person to remembering deep into their past, sometimes with tears as they remember the bad and good times of childhood.
Children in hospital react very, very well. In Macedonia, in a Rehabilitation centre, a girl who was very seriously ill, drew a smile with her legs and told me : “the miracle is that I can do this before I die soon, to help other children …”
In other city, in Poland, I prepared that smile-performance with children. The Mayor of that city and his co-workers thanked me because he …was smiling himself, for the first time in 20 years.
Crisis is bad, but it will seem shorter, be alleviated somewhat when we all start to smile – I tell this to children in hospital : “children should start every day with a smile and finish the day with a smile”. Smile, and the trouble will do not have time to become a problem, the same can be done in the world of politics and economics. Smile and the future will be better – the trouble will be smaller. A smile is the best sort of help because it is financially very good to receive….its costs only 1 second of your time to make and of course its “cost” = a good tooth-brushing , LOL !
Jennifer: The collection is growing by the day. How many smiles have you received to date? On average, how many arrive daily?
Marek: Its depends , sometimes I get a whole package from various countries, sometimes one envelope but with 20 smiles from a school of design where the professor set an examination task for students to create a smile.
Sometimes there is a day without a smile in the postbox , but there is a smile on my face ….to make that “empty” day a better one!
My friends like to talk with me about the project. I sometimes think the exhibition idea is my wonderful life sentence. I have ambassadors of the smile-exhibition around the world.
I like also to collect smiles in person – as I organize cultural events. It provides me a good entrance to different meetings and, somehow, I can nearly always put myself behind the scenes.
What I try not to do is not to ask for a smile in restaurant venue…but then I eat slowly as does the ‘star’, the evening’s special guest, and I hope to obtain a smile from them outside the venue when they finish…
Jennifer: You have not one but a number of ‘smile’ exhibitions planned. Tell us about them and what is involved in setting up such an exhibition in such far flung places?
Marek: The number of smiles is not limited; I think that it is already a part of my life. I hope very much to create a Smile Museum or Smile Gallery.
The idea is ongoing, one pilgrimage of smiles, because the plan has always involved the drawing of smiles by children in Poland for children in other countries and so on
The idea is to show this exhibition in children’s centres of all kinds, not only hospitals but also as a temporary exhibition in various institutions.
Jennifer: I understand you are hoping to produce a special catalogue/book of the exhibition to help raise funds for children’s hospitals in Poland. Can you tell us more about that?
Marek: That is good question, there are many organizations which help children in a financial way, our goal is “only” to make them smile ….
As the reports of doctors, psychologists and parents indicate, the exhibition is like a medicine, a tonic. It shows people all over the world care about sick children, children in pain. The children know they are not forgotten!
Also, what is very important, the exhibition of smiles helps “normal” people working in hospitals, not only doctors, but also cleaning teams and last but not least the parents visiting their children. It lifts their spirits!
The exhibition is also a good thing for festivals and for other events.
The idea of a catalogue is always there, and we produced one as a booklet for the Polish Festival of the Good Mood, and when we visited children in hospital with a leading actress, the children were given one each.
Jennifer: What is the most unusual ‘smile’ you have received so far? Are there limitations on the type, size or presentation of the smile and what happens to each submission to prepare it for exhibition?
Marek: The smiles have no limitations ever. We have made a smile
* in a children’s garden in Lodz
* on paper on whole floor area,
* the sportsmen put their smile on t-shirts,
* but also on a boxer’s hand,
* we got a sculpture of smile and
* a smile on glass –
Each and every smile is very unusual … very individual!
But maybe the most touching was a smile by a child in Macedonia …with her mother drawn without face because she was left by her mother
Very different smiles – maybe I would mention the autoportrait by regisseurs Jerzy Skolimowski and Roman Polanski or a Bishop’s smile-picture which reminds of one of Picasso’s works….
Jennifer: There must be all sorts of stories of how you met celebrities like Polanski and other AMAZING people! How did you persuade them to give you ‘a smile’?
Marek: When I started the collection, I asked people in person for ‘a smile’. I still do if the opportunity presents. The meetings with notable folk can sometimes be very funny but sometimes very short!
In the case of Jose Cura, I was at the opera in Berlin and, after the show, I got to the backstage door and knocked on the garderobe. He answered himself and told me “come in”. He was under the shower. So I backed out and waited. After some minutes, he came out and, with a big smile on his face, he drew a ‘Pagliacci’ ….he had sung Pagliaci in the opera that night.
In Berlin I had also a “tragic” meeting….can you imagine, I was in the same restaurant as Lauren Bacall…but it was a very prestigious restaurant such that if I had asked for a smile/autograph they would have made a security photo of me and then I would have been blacklisted there and in other such places as well!
As for Roman Polanski – he was opening a sculpture in Sopot – he was on the redcarpet. Nobody was allowed to put a foot on that carpet, but I did! That is how I got a selfportrait of him!
At the same festival Faye Dunaway was also a special guest, but by then I was 1000 km away. However, my wonderful mother is also very supportive of the smile project. She asked, in her broken English, and, yes, I have the smile drawn by Faye Dunaway!
The security guards of First Lady of Poland, Maria Kaczynska, were very “unhappy” that I asked her to draw a smile. But she told the strong men, to stop and let me be, “it is for a good goal”.
All the time the people, when I ask them to draw a smile, I get the answer, ‘oops I am not good at drawing’. My answer is always, ‘it’s for children and children are not judging the art’.
The Polish MP, Iwona Guzowska, is a former boxer. She liked the smile project so much that she even created a parliamentary group in the Polish Sejm – Parliament “smile group”. She collected smiles on sports items.
The smile project – the collection – it is growing into a very special collection – one of a kind in the world. It is also unique, because smiles are made using a variety of methods, and they are not only on paper, but also as pictures, on music programs, on film posters, on books, cd or on very curious paper types. Children from round the world send me smiles for the project. This is very special because of the very different types of smiles from children, for example, from India or Moldavia. Yet, amazingly, these same smiles sometimes match up, the same exactly, the same type of smile as if it was made by one and the same hand, even though it is a smile from a Polish child or from Mexico. As for Mexico, the smiles are made there by children with Downs Syndrome who are taught by Professors of Art Academy from Mexico City.
The collection is for children, especially sick children, to make them smile and so help them heal!
Jennifer : Marek, tell us what the Smile project is achieving and continues to achieve:
Marek: I hope very much to be involved in a number of a smile exchange exhibitions, a pilgrimage of smiles.
I think there is a good idea to connect smiles made by celebrities and those by children – the children are encouraged and inspired by the interest and support for the project by the celebrities.
For children in “western” countries creating smiles for a poorer part of world bring them closer to those with less advantages, fewer opportunities than they have and fosters a caring attitude and brings knowledge.
For poor children, it is maybe their first possibility to give somebody something – this brings dignity and feeling of being able to contribute; this is empowering.
And for children from harsh, very problematic parts of world this also provides a very interesting way to help others, help, in return, a part of world from where the help is coming to them; it brings a sense of reciprocity that might not come any other way. It brings a sense again of dignity and achievement.
I think such exhibitions – such exhibitions exchange is a very unusual project for helping and informing people about the plight of sick children worldwide, for bringing artists, writers, musician together with also opportunity for promotion of their work and for sponsors to bring their product before the public in a way that promotes them as a company that cares and is involved in more than just making money, but also in giving back to those in need – the use of a company logo could be connected with a ‘smile’ by being included in a special promotional logo.
Jennifer: Marek, what are you plans for the future, what is your next big project?
Marek: Dear Jennifer ….of course asking you to help me to show that exhibition in your city ….my very simple dream, which is an ever evolving, growing plan, ….to show the smile exhibition and to draw smiles around the world!
Jennifer: Finally, how can people get in touch with you to find out more about the project and give support?
The best way to support project smile is to draw a smile and send us, to ask famous and /or interesting people to draw a smile and, last but not least, to invite our exhibition to their place – to the smallest children’s school, to the farming community, or to a big children’s hospital, to a film or other festival or to Sydney Opera House…..
Jennifer: Charles George Walker wrote a poem inspired by that famous old proverb, quoted by the Archbishop of the Solomon Islands, and used it for the title. I think it reflects your belief in the joyous spreadability of a Smile:
Smile and the World smiles with you, Cry and you cry alone.
Smiling is infectious, you catch it like the flu.
When someone smiled at me today, I started smiling too.
I passed around the corner, and someone saw my grin.
When he smiled I realised, I’d passed it on to him.
I thought about that smile, then I realised its worth.
A single smile just like mine, could travel round the earth.
So, if you feel a smile begin, don’t leave it undetected.
Let’s start an epidemic quick, and get the world infected!
May your smile project spread like the sunshine it brings into others’ lives!
You can find my own smile in the exhibition and here on Sharing Books for free download.
Little People shouldn’t play… by J.R.Poulter 08
Little people shouldn’t play
With things that stab and prick, okay!
I say this to you little man
For your protection and I am
Going to take your sword away!
No off you go, good boy, and play!