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The Untangled Tales website is the best of the Summer Reading sites. Going over the site, was like being in one of the famous ‘But WAIT, there’s more!’ advertisements! At every click of the mouse, there was more and all of it FREE! There is something here for children of all ages [preschool, primary, secondary], for their parents, teachers and librarians. The site is gorgeous [literally] to look at, easy to navigate, entertaining in content and layout and engagingly informative!
The Celebrity Corner questions brought out the creative quirkiness of authors and illustrators in a very entertaining way and featured a very diverse group of creatives!
The Untangled Tales game is a blast – great fun! It challenges memory and prods research capabilities and informs about other cultures, their customs and attitudes as reflected in their fairytales and legends.
Check out the side tabs and their drop down menus – there is heaps and heaps of fun activity, fantastic tales, playful poetry and fanciful stories, arty opportunities, creative competitions in writing and art activities and painless learning along the way!!
I’m thrilled to be part of this year’s Summer Reading Club. I’m in Celebrity Corner with Kerry Brown, Christian Bocquee [with whom I am collaborating in our own Fractured Fairytales collection], Terry Denton, Lucia Masciullo and numbers of other wonderfully creative folk!
Hi Everyone! 🙂
Lists can be extremely useful, especially when they are constantly being updated!
Here are SIX such.
The first, compiled by the enterprising and enthusiastic Brain Grove, is a list of US publishers who are currently accepting submissions for children’s books – http://j.mp/SVbnCk – he also, very helpfully, adds links to each entry to take you straight to the site. I also recommend his ebook on query /submission letter writing.
A second list, an international one, that is regularly updated is on Lou Treleaven’s Blog:
The third, a veritable database of bloggers who interview and/or review, is continuously being updated by the very proactive authors, Delin Colon and Lisa Kalner Williams – http://bit.ly/writerinterviewopps …
Fourth – a database of legends and folktales – if you are looking for inspiration for twists on fairytales or legends, fables etc – here is a whole swag!
Fifth – oh this one is an essential! The inimitable Katie Davis’s Tool Kit is linked out under 5 ‘HEADLINE’ headings!!
If you haven’t joined www.jacketflap.com, I highly recommend it – an excellent networking site for all things related to children’s literature and books.
Latest addition, number six, Rachelle Burk has a wonderful resource site – http://www.resourcesforchildrenswriters.com/ – her awarded list of wonderfully helpful links is truly encyclopaedic!
Get busy and good luck!
Books are created from the imagination and inspiration of authors and the insightful vision of illustrators. They are then crafted. The authorial crafting may be right brain with a touch of editing or slow and laborious left brain plotting. For an illustrator, it may be inspiration flowing like rivers from brush or stylus or it may be storybook or dummy creation then rethinks, scrap some ideas, adapt others. Eventually, a book emerges that is then ‘ready for submission’. These days, that may mean adding animation and audio to make the book a digital production for app developers like Utales or Flying Books, or for YA, formatting it for Kindle or Nook e-publishers. It may mean self publishing on Createspace or Lightningsource, Smashwords or Lulu. Or it will mean the long road via submission to traditional publishers.
If the latter is chosen, the publisher will often require more editing, changes and perhaps more changes. My own book, started under contract to one publisher, was already well underway with the inimitable Sarah Davis as illustrator. We were having a ball creating our book. Then our publisher was taken over and the new publisher wanted to institute changes. At first, the major change – ‘get rid of the dead bird’ – seemed straight forward. Then we realised the book needed the bird but, to keep it, we had to make some big adjustments. An injured bird can’t just disappear in a children’s book, it has to get better and be released, which, in our picture book, meant its story had to be woven into the fabric of the main story seamlessly. No problem, a few days and Sarah and I had nailed it! As book creators, you have to be flexible and, especially if going the traditional publisher route, you can’t be too precious about your creation.
SO! This exhibition is about the journey numbers of wonderful children’s and YA books took from creation to bookshelf! Each book has a different creation story to reveal – something the public doesn’t see, it’s behind the scenes. Now the reader can take a peek backstage, behind the scenes to how it all came together!
THE SET UP
Setting up was not straight forward. The spaces has to be utilised to best advantage and the items displayed needed to be seen from as many angles as possible given I had a two shelf rectangular glass case. I didn’t end up using everything I brought with me. It would have been too cluttered. Last minute inclusion, bulldog clips, proved life-savers! They held the photographic prints in place.
I had never ‘hung’ a painting before at an exhibition and that proved ‘interesting. Sarah Davis sent up her wonderful original painting via kindly courier, Peter Taylor, but it was unframed. I had no time to find a frame. Fortunately, I had one around the house that was a good match colour-wise though not quite the perfect size.
Given my exhibit was about my close collaboration with Sarah, the items displayed needed to reflect the two minds working together to make a new creative whole – our book! Sources of inspiration, stages in text change, changes in images, cover and trivia relating to the characters, objects and places in the book, all combined to make a successful ( I hope you agree) exhibit!
The Exhibition, Journey of a Book, has a wide range of book journeys exhibited, from YA novel, like David McRobbie’s, to real life adventure by Prue Mason, picture books like those by Kathrine Battersby and chapter books like the one by Angela Sunde, to non fiction works on calligraphy as an illustrative art form by Peter Taylor.
“Books Are Fun”
Children’s Book Festival 2011, Family Day 3rd April 2011, 10.00am to 4.00pm
State Library of Victoria and the Wheeler Centre
This free programme of ‘events’ over the Sunday was hugely popular. It was described as “the biggest celebration of children’s books that Melbourne has ever seen”. Families and children’s book lovers crammed into venues to hear a wonderful assemblage of Australia’s leading authors and illustrators. They queued for meter after meter to meet authors and illustrators and have their load of precious books signed. They waited for hours to be able to get into workshops, storytelling and performances.
The ‘Family Day’ was the brainchild of the State Library of Victoria and the Wheeler Centre who held, coordinated and promoted the various sessions. Authors and illustrators were fully utilised, most doing at least two events on the programme. [http://wheelercentre.com/static/files/assets/087ddc27/CBW_Childrensbooks_A4programme-DR7.pdf ]
Some notes from the day:
John Nicholson/Roland Harvey interview with SLV staffer
John Nicholson (architect) – author and illustrator
John started writing fiction. His publisher suggested he write non-fiction.
Working with A&U – John has an idea and approaches them with it or they have an idea and approach John. At one stage they seemed to take a turn about with this process. He now just develops ‘the ideas I want to’. He prefers to work alone now.
John agreed with Roland, in creating an authentic “Sense of place” it was important, if at all possible, to do the research for the text and images on location.
Roland Harvey (architect) author and illustrator
History was something that always fascinated him and which initially led him to writing and illustrating books.
Family activities have inspired some of his books – “At the Beach” and ‘To the Top End”. “You need to know, to “feel” the place you are writing about. To research you should “be there to be really successful”. Otherwise ther is the internet but Roland considered this sort of research “much harder” in trying to create a real sense of ‘place’.
He collaborates a lot. His latest book is a collaboration with Mem Fox which was launched at the Family Day. He doesn’t publish any more and mainly works with Penguin and A&U. He liked the freedom he had as publisher. He surrounded himself with experts in each area. He found his best books were done “against the advice of others”. It was risky but he LOVED the freedom to do what he was passionate about.
His next project is another picture book based on family travels. He is also avidly exploring Apps and is excited about this development in children’s books.
Terry Denton/Chris Morpeth interview with SLV staffer
Terry Denton author/illustrator
The place where I like to write/draw:
I have a studio in my backyard. It is quiet, no distractions.
“Gasp” is my favourite of my creations.
Denton and Andy Griffith go away for a week together when working on a new joint project to ‘get it started’.
Chris Morpeth (former teacher) author
The place where I like to write:
In a café over coffee – there are no distractions. At home, I get distracted with Nintendo and Mario. I make my stories up as I go along. I think the more you do the better you get.
Terry & Chris agreed re book writing/creation, “If it is too organised, it doesn’t work!”
Leigh Hobbs interview with SLV staffer
Leigh Hobbs (former teacher) author/interviewer
His first version of ‘Old Tom’ was rejected. This version had an angrier look and smoked a cigar. The next version, accepted, was more humorous and sly. Leigh draws the pictures for his books first as he has his ‘run of ideas’. Then he ”works“ to finish the book. He felt he wrote books of the sort he liked a a kid. He loved Enid Blyton, Treasure Island.
A lesson he learnt early, was that children want “Mums” kept within certain parameters, e.g. Old Tom’s ‘Mum’, Angela Throgmorton.
HELP NEEDED for WE ARE ALL JAPAN anthology
An OPEN CALL for submission to WE ARE ALL JAPAN
We at WE ARE ALL JAPAN are assembling an anthology of all types of poetry and haibun – We Are All Japan. The purpose of the anthology is to display to Japan our feelings of love and concern for the hell they have and are currently enduring.
All proceeds from the anthology will be donated to the the Salvation Army or the Red Cross in Japan.
ANTHOLOGY “WE ARE ALL JAPAN”
Please submit any kind of poetry as well as haibun (stating your name, city and country) to firstname.lastname@example.org.
We also need a photo or artwork for the cover. Please send your original work to the same email.
Deadline: May 15, 2011.
Robert D. Wilson and Sasa Vazic
Watch this site – http://writersandauthors.blogspot.com/2010/06/w-writing-contest-coming-soon.html
While you are there, have a peek at the interview – http://writersandauthors.blogspot.com/search?q=Poulter Check out the links too, including one to a FREE press release posting site!
The interview features info on my new book, coming out with PicPocket Books on iphone in August. It was created in collaboration with Monica Rondino, Andrea Pucci and my youngest daughter, Estelle Poulter. Parents and others – do you have teething babies or toddlers who bite and have older siblings who object to being bitten? You might just find some help to be had reading this humorous story with a rhyming element!
Children’s books on ipad and iphone
Thought I’d share some notes on e-publishing, especially with all the excitement generated by ipad. I have two picture books coming out myself on iphone and am looking forward to having picture books on ipad!
Most of the iphone publishers pay better [some much better] royalties than book publishers.
Though the RRP cost of books is low, volume of sales is high compared to hard copy books.
Folk buying an e-book for iphone often buy the hardcopy too if the child likes the book.
If you are publishing with an iphone company who works with the big publishers or with big children’s media companies, then it potentially brings your work to the attention of some important networks/people. It puts you book into good company!
Starts with costing you the author.
There is a setup fee or the set up cost is taken out of your royalties.
You have to make your own audio and ensure it is of ‘professional’ quality or pay to have the iphone publisher produce it for you. American iphone book producers like to use American accents [sorry Aussies].
If they format the text into the images for you that is a cost as well.
You have to submit the completed book upfront [not such a hassle for the author/illustrator] as a pdf. For author working with illustrator it means either you pay the illustrator upfront or they work with you with royalties in mind. If it is accepted you may find you have to then submit each frame [individual jpeg image] resized to iphone format . This can mean force sizing, which can distort the image slightly. If you do not do this yourself, there is a cost for them to do it.
Like all publishers, they are selective.
I have books soon to come out with PicPocket Books and istorytime. [See my website for updates www.jenniferrpoulter.weebly.com ] For a preview of “Toofs!”, to come out with PicPocket Books, see the interview with Susan Whitfield [http://susanwhitfield.blogspot.com/search?q=Poulter ].
Good format for b&w and has growing audience.
Is all the buzz – is touted as new direction in children’s publishing [most recently at CAL seminar in Brisbane recently]. Not seen as replacing hard copy but as important new outlet.
Penguin are already there, are going for interactive stories on ipad. Exciting! [see UTube and http://www.engadget.com/…/penguins-ipad-formatted-books-shown-off-making- waves/ ] All the same pluses for iphone also apply here and more.
Same companies doing iphone are now doing ipad as well so the cost structure may still apply – may change too as ipad is much more flexible than iphone and is beautifully suited to picbooks. Because of this, there may not [note may not] be the same need for audio.
If your book is already in hardcopy, it is ‘free’ [yep that’s right] to load your book onto Ripple Reader and free to join the company. Ripple Reader pays royalties! It is an exciting innovation that makes your published book accessible much, much more widely.
Your book must exist in a published version first, so that the editing process it has gone through ensures production quality.
Latest SCBWI Newsletter [March/April 2010] page 22 – article by Elizabeth O. Dulemba titled, “My 1st iPhone Picture Book App”. Elizabeth was published with a company called Rhodesoft.com [“Reading Rhino”]. I don’t know as much about them, but they do also require a set up fee.