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Category Archives: narrative verse
Can’t remember when I’ve had so much creative fun with such a fantastic group of multitalented folk! 13th to 16th January we arrived in from all over – WA, NT, Vic and ‘locals’ Christian and self. We were housed in the Gatton Motel, a leg stretch away from the main venue, not that we needed to walk. We were chauffeur driven everywhere by local Minibus/taxi owner Sue.
This is the door to my room, the non-existent No. 13, on 13th January, a Friday, how lucky can you get! Interesting how many places omit room 13, floor 13 etc etc. Do folk really think we are so bound by superstition and hangovers from the dark ages that we will eschew a room or a whole floor just because of a place in a numeric sequence? Evidently it is so.
Craig and I had joint sessions with small groups of ardent attendees in a series of workshops. All interacted with us freely and kept us on our toes with their questions.
We started with a draft of my story about the cow that swam the Brisbane river during the January 2011 floods. It was over 700 words [too long for a picture book] but gave the background Craig needed to locate the story and characterise the little cow. This is a link to a newspaper article about her amazing survival swim.
It was a revelation and a privilege to work with Craig one on one as he sketched out his visual thoughts on the story with me reading excerpts and the audience interspersing with comments. I cut swathes from the text as Craig’s expert hand created wonderful image after image.
This is a glimpse of the creation process –
- A view of the Brisbane Rive in flood provided by Kim Byron from her newspaper collection on the event.
- Craig working on a charcoal image of the little cow. He has a strong feel for movement and can create a whole range of emotions with sometimes the barely there addition of a line or a smudge.
I love the way illustrators climb into the visual universe of a story. Text says a family is sitting in a kitchen. The illustrator will look over their shoulders, look out the window, go out into the next room, climb the stairs to the attic or down to the yard and see where the house is located in a community.
[more coming… I just need to sleep now…]
Monica Rondino and Andrea Pucci are creating the images and J.R.Poulter has written the humorous story with rhyming elements, Estelle A. Poulter is the co-author and childcare practice adviser.
What is it about – how to cope with a biting baby!
“Books Are Fun”
Children’s Book Festival 2011, Family Day 3rd April 2011, 10.00am to 4.00pm
State Library of Victoria and the Wheeler Centre
This free programme of ‘events’ over the Sunday was hugely popular. It was described as “the biggest celebration of children’s books that Melbourne has ever seen”. Families and children’s book lovers crammed into venues to hear a wonderful assemblage of Australia’s leading authors and illustrators. They queued for meter after meter to meet authors and illustrators and have their load of precious books signed. They waited for hours to be able to get into workshops, storytelling and performances.
The ‘Family Day’ was the brainchild of the State Library of Victoria and the Wheeler Centre who held, coordinated and promoted the various sessions. Authors and illustrators were fully utilised, most doing at least two events on the programme. [http://wheelercentre.com/static/files/assets/087ddc27/CBW_Childrensbooks_A4programme-DR7.pdf ]
Some notes from the day:
John Nicholson/Roland Harvey interview with SLV staffer
John Nicholson (architect) – author and illustrator
John started writing fiction. His publisher suggested he write non-fiction.
Working with A&U – John has an idea and approaches them with it or they have an idea and approach John. At one stage they seemed to take a turn about with this process. He now just develops ‘the ideas I want to’. He prefers to work alone now.
John agreed with Roland, in creating an authentic “Sense of place” it was important, if at all possible, to do the research for the text and images on location.
Roland Harvey (architect) author and illustrator
History was something that always fascinated him and which initially led him to writing and illustrating books.
Family activities have inspired some of his books – “At the Beach” and ‘To the Top End”. “You need to know, to “feel” the place you are writing about. To research you should “be there to be really successful”. Otherwise ther is the internet but Roland considered this sort of research “much harder” in trying to create a real sense of ‘place’.
He collaborates a lot. His latest book is a collaboration with Mem Fox which was launched at the Family Day. He doesn’t publish any more and mainly works with Penguin and A&U. He liked the freedom he had as publisher. He surrounded himself with experts in each area. He found his best books were done “against the advice of others”. It was risky but he LOVED the freedom to do what he was passionate about.
His next project is another picture book based on family travels. He is also avidly exploring Apps and is excited about this development in children’s books.
Terry Denton/Chris Morpeth interview with SLV staffer
Terry Denton author/illustrator
The place where I like to write/draw:
I have a studio in my backyard. It is quiet, no distractions.
“Gasp” is my favourite of my creations.
Denton and Andy Griffith go away for a week together when working on a new joint project to ‘get it started’.
Chris Morpeth (former teacher) author
The place where I like to write:
In a café over coffee – there are no distractions. At home, I get distracted with Nintendo and Mario. I make my stories up as I go along. I think the more you do the better you get.
Terry & Chris agreed re book writing/creation, “If it is too organised, it doesn’t work!”
Leigh Hobbs interview with SLV staffer
Leigh Hobbs (former teacher) author/interviewer
His first version of ‘Old Tom’ was rejected. This version had an angrier look and smoked a cigar. The next version, accepted, was more humorous and sly. Leigh draws the pictures for his books first as he has his ‘run of ideas’. Then he ”works“ to finish the book. He felt he wrote books of the sort he liked a a kid. He loved Enid Blyton, Treasure Island.
A lesson he learnt early, was that children want “Mums” kept within certain parameters, e.g. Old Tom’s ‘Mum’, Angela Throgmorton.
If you are searching for an agent, there is a very helpful blog by Casey McCormick which features “Agent Spotlights.”
She posts information about a wide variety of agents who represent children’s and young adult fiction.
The other essential to join is Query Tracker – http://www.querytracker.com – this very comprehensive site offers advice re query letters, publisher updates, agent info and much more!
Novel competition and an anthology going. Submission guidelines for ms submission.
Short Story Anthology – theme ‘Last Contact’ – flash up to 5,000 words, 31 March deadline. See website:
1. Notes from the Gean (March 2011) featuring haiku, tanka, haiga, haibun, renga/renku. Writers are invited to submit their work for the June issue.
2. Haibun Today (March 2011) featuring Haibun and Tanka Prose and the largest online collection of literary criticism of the haibun and tanka prose forms. Writers are now invited to submit haibun, tanka prose and articles for consideration in the June 2011 issue.
Romance under a Waning Moon: Call for submissions. This is a poetry and image website focused on the ups and downs of later-in-life romance. This project has just been started and writers are invited to submit already published poems (preferable) or new work to Editor Ray Rasmussen.
WIN A VIDEO MONTAGE, closes 6th March
Sandie Muncaster is hosting a giveaway on her site:
Video Montage GIVEAWAY
Want more exposure for your blog, book or a service you offer? Perhaps you’re looking for a fun, family adventure captured to video? TattleTott Productions can help by making a video montage.
Montages are professionally done and posted on YouTube where it may be seen by hundreds, thousands or even millions of people. Once its uploaded onto YouTube, embed codes are available to use on your own blogs, social networks, newsletters or even emails. Think about how much more exposure that will create, plus it’s FUN to watch.
Montages may include any information, pictures and link backs you want – music is included.
TattleTott Productions normally charges $45.00 for a video montage, but you can win one FREE. How? Just leave a comment (and contact info) at; http://sandie-lee.blogspot.com
Giveaway ends March 6th and will be done by random drawing.
Enter today. Good Luck!
You can check out my work at; http://www.youtube.com/my_videos?feature=mhumWriters:
OPEN FOR SUBMISSIONS:
Basics of Life anthology open till 28th Feb – Austlit http://auslit.net/2010/11/27/australian-literature-anthology-basics-of-life/
Artists/Illustrators/Poets, Short story writers ++ :
Going Down Swinging taking submissions till 28th February – http://goingdownswinging.org.au/submissions/
Poets, Artists and Illustrators:
Haijinx still open for submissions till 1st March! Haiku, haiga, renku, sumi-e and haibun – http://www.haijinx.com/I-1/
Peter Cowan 600 Short Story Competition open -http://www.pcwc.org.au/index.php?p=1_10 Closes 1st May 2011.
I have found numbers of other interesting sites which I am actively investigating.
Story Chimes has won the PTPA Media Inc. Seal of Approval. This App Developer is in partnership with Raven Tree Press, producing their print books for iphone and ipad as well as new, never been in print, titles.
Interesting interview with Jean-Pierre Bousquet about his experience publishing his Children’s picture book , “Caroline , and the mysterious Christmas Tree” with Mobile Children’s Books [MCB]. Check out Wheezards interview LIVE radio show on 938Live The Living Room – Singapore podcast
This is a brand new venture which may work well for those not so techno flash or those with less in the way of spare cash. It is European based and the books have a definitely European look. Read about uTales and about becoming a ‘uTaler‘, publisher on this site.
The site, commendably, also support “Pencils of Promise” who built 15 schools in third world countries from donations last year.
This site is doing some innovative things – take a look –
Peter Taylor‘s update on i-publishing [thank you Peter]
Children’s Publishing Innovation Award
At last week’s NY Digital Book World Conference, this went to:
This is marketed as the first and only service where consumers can create an app by recording a video of themselves reading as they turn the pages. Children can play back the story as often as they like.
You can give it a free trial, too.
There are over 200 books in their main selection http://www.astorybeforebed.com/books When you register, you create your own bookshelf to store your recorded downloads.
Many of their selection of books are published by Chronicle, Orca and Charlesbridge. They also ask for suggestions from accomplished children’s book authors, illustrators, and publishers, as they’re always looking for more great books.
The publishers may also consider giving purchasers the option of having the book read by the author/illustrator.
This idea comes from creators at
Watch this site – http://writersandauthors.blogspot.com/2010/06/w-writing-contest-coming-soon.html
While you are there, have a peek at the interview – http://writersandauthors.blogspot.com/search?q=Poulter Check out the links too, including one to a FREE press release posting site!
The interview features info on my new book, coming out with PicPocket Books on iphone in August. It was created in collaboration with Monica Rondino, Andrea Pucci and my youngest daughter, Estelle Poulter. Parents and others – do you have teething babies or toddlers who bite and have older siblings who object to being bitten? You might just find some help to be had reading this humorous story with a rhyming element!
Children’s books on ipad and iphone
Thought I’d share some notes on e-publishing, especially with all the excitement generated by ipad. I have two picture books coming out myself on iphone and am looking forward to having picture books on ipad!
Most of the iphone publishers pay better [some much better] royalties than book publishers.
Though the RRP cost of books is low, volume of sales is high compared to hard copy books.
Folk buying an e-book for iphone often buy the hardcopy too if the child likes the book.
If you are publishing with an iphone company who works with the big publishers or with big children’s media companies, then it potentially brings your work to the attention of some important networks/people. It puts you book into good company!
Starts with costing you the author.
There is a setup fee or the set up cost is taken out of your royalties.
You have to make your own audio and ensure it is of ‘professional’ quality or pay to have the iphone publisher produce it for you. American iphone book producers like to use American accents [sorry Aussies].
If they format the text into the images for you that is a cost as well.
You have to submit the completed book upfront [not such a hassle for the author/illustrator] as a pdf. For author working with illustrator it means either you pay the illustrator upfront or they work with you with royalties in mind. If it is accepted you may find you have to then submit each frame [individual jpeg image] resized to iphone format . This can mean force sizing, which can distort the image slightly. If you do not do this yourself, there is a cost for them to do it.
Like all publishers, they are selective.
I have books soon to come out with PicPocket Books and istorytime. [See my website for updates www.jenniferrpoulter.weebly.com ] For a preview of “Toofs!”, to come out with PicPocket Books, see the interview with Susan Whitfield [http://susanwhitfield.blogspot.com/search?q=Poulter ].
Good format for b&w and has growing audience.
Is all the buzz – is touted as new direction in children’s publishing [most recently at CAL seminar in Brisbane recently]. Not seen as replacing hard copy but as important new outlet.
Penguin are already there, are going for interactive stories on ipad. Exciting! [see UTube and http://www.engadget.com/…/penguins-ipad-formatted-books-shown-off-making- waves/ ] All the same pluses for iphone also apply here and more.
Same companies doing iphone are now doing ipad as well so the cost structure may still apply – may change too as ipad is much more flexible than iphone and is beautifully suited to picbooks. Because of this, there may not [note may not] be the same need for audio.
If your book is already in hardcopy, it is ‘free’ [yep that’s right] to load your book onto Ripple Reader and free to join the company. Ripple Reader pays royalties! It is an exciting innovation that makes your published book accessible much, much more widely.
Your book must exist in a published version first, so that the editing process it has gone through ensures production quality.
Latest SCBWI Newsletter [March/April 2010] page 22 – article by Elizabeth O. Dulemba titled, “My 1st iPhone Picture Book App”. Elizabeth was published with a company called Rhodesoft.com [“Reading Rhino”]. I don’t know as much about them, but they do also require a set up fee.