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Category Archives: young adult fiction
Some time last year, Erica Wagner, Publisher at Allen and Unwin, was reported as having said, in relation to graphic novels, that there was a lot to be gained by submitting a text already illustrated or mostly illustrated [Allen & Unwin publish purely commission only picture books]. Perhaps this may signal a change in direction that may even extend to those other illustrated tomes – picture books and picture book/graphic novel crossovers.
Some writers/illustrators I know have recently signed contracts for ‘print ready’ books. This is not self-publishing, nor submission to a print-on-demand house but submission to a traditional, royalty paying publisher of a book that is ‘ready to go’ in publishing terms.
What constitutes a ‘print ready’ book? It is a book that has been –
- professionally edited,
- designed to industry standards,
- professionally designed cover and,
- if illustrated, has all images appropriately set.
This is a great way to go for authors who are able to pay illustrators and book designers up front. Most authors are not able to do this. This then means all creators involved in a book project agreeing to royalty share and working between paid projects to collaborate on their book.
What have I gleaned about such ‘print ready’ deals? One company, smaller and reasonably new, offered a small advance and a good contract, by industry standards, with higher than regular royalty share for creators. An offer of help with promotion was also part of the deal. Another company, medium sized and established, offered no advance but better than average royalty shares for creators and help with promotion and marketing of the book.
How does this stack up against what is generally on offer now?
- Small and middle range publishers, in general, do not offer advances.
- Larger publishers offer advances depending on the book, depending on the author, and depending on the agent involved.
- Smaller and middle range publishers often [there are exceptions] expect the author to do it all in relation to promotion, even requiring the submission of a marketing plan.
- Larger publishers vary greatly as to how much promotion they will give a book.
- Generally, publishers will submit copies of their publishing output for major awards, such as the CBCA, and to a selection of leading review outlets.
What’s the down side for author, illustrator, book designer, [often the illustrator], to go down the ‘print ready’ publishing path?
- It IS a lot of extra work for all creators involved to ensure the book is ‘professional’ standard even before it is submitted.
- There is no money upfront.
Are the rewards worth the effort?
- If you love collaborative work, it is a big plus.
- Creators have much more project control to create the book they have collaboratively envisaged.
- A quality product, ‘print ready’, is a major bargaining point for creators/agents. ‘Print ready’ saves the publisher heaps!
The first company mentioned does small print runs, sells out their print runs, reprints and even sells out reprints and so it seems to be gradually snowballing.
It is too early to know in the second instance. [I’ll keep you posted!]
My feeling is that, if Erica Wagner was sensing a ‘trend’ and if these companies make a success of it, we will see more such deals. It’s something to think about!
My own news –
The Untangled Tales website is the best of the Summer Reading sites. Going over the site, was like being in one of the famous ‘But WAIT, there’s more!’ advertisements! At every click of the mouse, there was more and all of it FREE! There is something here for children of all ages [preschool, primary, secondary], for their parents, teachers and librarians. The site is gorgeous [literally] to look at, easy to navigate, entertaining in content and layout and engagingly informative!
The Celebrity Corner questions brought out the creative quirkiness of authors and illustrators in a very entertaining way and featured a very diverse group of creatives!
The Untangled Tales game is a blast – great fun! It challenges memory and prods research capabilities and informs about other cultures, their customs and attitudes as reflected in their fairytales and legends.
Check out the side tabs and their drop down menus – there is heaps and heaps of fun activity, fantastic tales, playful poetry and fanciful stories, arty opportunities, creative competitions in writing and art activities and painless learning along the way!!
I’m thrilled to be part of this year’s Summer Reading Club. I’m in Celebrity Corner with Kerry Brown, Christian Bocquee [with whom I am collaborating in our own Fractured Fairytales collection], Terry Denton, Lucia Masciullo and numbers of other wonderfully creative folk!
The wonderful people of Nami Island Concours have created another outstanding opportunity for illustrators all over the world! The dream of these folk, who are so passionately devoted to children’s literature, is to turn Nami Island into a library! 🙂 Angela Kim is the Assistant Manager and the person to contact if you wish to know more – her contact details are on the website.
These are the links – Nami Island Concours, Guidelines and information
Hi Everyone! 🙂
Lists can be extremely useful, especially when they are constantly being updated!
Here are SIX such.
The first, compiled by the enterprising and enthusiastic Brain Grove, is a list of US publishers who are currently accepting submissions for children’s books – http://j.mp/SVbnCk – he also, very helpfully, adds links to each entry to take you straight to the site. I also recommend his ebook on query /submission letter writing.
A second list, an international one, that is regularly updated is on Lou Treleaven’s Blog:
The third, a veritable database of bloggers who interview and/or review, is continuously being updated by the very proactive authors, Delin Colon and Lisa Kalner Williams – http://bit.ly/writerinterviewopps …
Fourth – a database of legends and folktales – if you are looking for inspiration for twists on fairytales or legends, fables etc – here is a whole swag!
Fifth – oh this one is an essential! The inimitable Katie Davis’s Tool Kit is linked out under 5 ‘HEADLINE’ headings!!
If you haven’t joined www.jacketflap.com, I highly recommend it – an excellent networking site for all things related to children’s literature and books.
Latest addition, number six, Rachelle Burk has a wonderful resource site – http://www.resourcesforchildrenswriters.com/ – her awarded list of wonderfully helpful links is truly encyclopaedic!
Get busy and good luck!
Books are created from the imagination and inspiration of authors and the insightful vision of illustrators. They are then crafted. The authorial crafting may be right brain with a touch of editing or slow and laborious left brain plotting. For an illustrator, it may be inspiration flowing like rivers from brush or stylus or it may be storybook or dummy creation then rethinks, scrap some ideas, adapt others. Eventually, a book emerges that is then ‘ready for submission’. These days, that may mean adding animation and audio to make the book a digital production for app developers like Utales or Flying Books, or for YA, formatting it for Kindle or Nook e-publishers. It may mean self publishing on Createspace or Lightningsource, Smashwords or Lulu. Or it will mean the long road via submission to traditional publishers.
If the latter is chosen, the publisher will often require more editing, changes and perhaps more changes. My own book, started under contract to one publisher, was already well underway with the inimitable Sarah Davis as illustrator. We were having a ball creating our book. Then our publisher was taken over and the new publisher wanted to institute changes. At first, the major change – ‘get rid of the dead bird’ – seemed straight forward. Then we realised the book needed the bird but, to keep it, we had to make some big adjustments. An injured bird can’t just disappear in a children’s book, it has to get better and be released, which, in our picture book, meant its story had to be woven into the fabric of the main story seamlessly. No problem, a few days and Sarah and I had nailed it! As book creators, you have to be flexible and, especially if going the traditional publisher route, you can’t be too precious about your creation.
SO! This exhibition is about the journey numbers of wonderful children’s and YA books took from creation to bookshelf! Each book has a different creation story to reveal – something the public doesn’t see, it’s behind the scenes. Now the reader can take a peek backstage, behind the scenes to how it all came together!
THE SET UP
Setting up was not straight forward. The spaces has to be utilised to best advantage and the items displayed needed to be seen from as many angles as possible given I had a two shelf rectangular glass case. I didn’t end up using everything I brought with me. It would have been too cluttered. Last minute inclusion, bulldog clips, proved life-savers! They held the photographic prints in place.
I had never ‘hung’ a painting before at an exhibition and that proved ‘interesting. Sarah Davis sent up her wonderful original painting via kindly courier, Peter Taylor, but it was unframed. I had no time to find a frame. Fortunately, I had one around the house that was a good match colour-wise though not quite the perfect size.
Given my exhibit was about my close collaboration with Sarah, the items displayed needed to reflect the two minds working together to make a new creative whole – our book! Sources of inspiration, stages in text change, changes in images, cover and trivia relating to the characters, objects and places in the book, all combined to make a successful ( I hope you agree) exhibit!
The Exhibition, Journey of a Book, has a wide range of book journeys exhibited, from YA novel, like David McRobbie’s, to real life adventure by Prue Mason, picture books like those by Kathrine Battersby and chapter books like the one by Angela Sunde, to non fiction works on calligraphy as an illustrative art form by Peter Taylor.
Andrea has gotten it spectacularly right! The CEO of Tell Me a Story launched 10 new titles on 30th June, this year. I was privileged to be guest speaker at an event that had even seasoned politicians, Ian Rickuss, MP Lockyer, and Steve Jones, Mayor, Lockyer Valley Regional Council, commenting on attendance numbers!
Assembled authors, illustrators and guest panelists with Andrea Kwast
Muza Ulasowski [Panelist] and Guest Speaker, J.R.Poulter
The audience was rapt. I have seldom been at a publishing event where everyone’s eyes shone! Andrea has the devoted support of her very wide community of readers and growing. She also has the good fortune to have a very devoted group of assistants in administrator, Rel, and local photographer and budding author herself, Jenni Smith.
Research and innovation, preparedness to think out of the box, are hallmarks of Andrea and her team. She believes stories are lurking everywhere and it just takes the right determination, editing and dedication to bring them out. That she is succeeding over and above expetaction is more than demonstrated by the sellout and reprint, within the first few weeks since the launch, of no fewer than 3 titles!
Hearty Congratulations Andrea and Team and to all her authors – keep writing!
Ian Beck on Visualizing the Characters in his YA novels,
Hearty congratulations on the release of your two new YA novels, both in the one year! That is some achievement! I’m fascinated by how you come up with such a range of amazing and vastly different characters and all so vividly drawn.
Do you ‘see’ with your illustrator’s eye, the characters before you flesh them out? What part of the author is still the illustrator? Does the novel roll out in movie sequence in your mind?
I do see the characters quite clearly and I watch them move about in my head too, so in a sense it is a little like watching an inner cinema sequence but not quite, not entirely. At the same time you are questioning their motivations and inner lives, thoughts etc so it is also like seeing an x ray of the character too, all very hard to explain and much more like a waking dream than a film, and one which you are able to leave and enter again at will. The story certainly rolls out in movie like sequences, a chunk at a time but not necessarily in the narrative order, which is where the importance of editing comes in, the shaping and reordering and the advice and admonitions of the third eye, your editor, which is the vital spark. I could never publish my drafts without the benefit of my editor’s input.
Firstly, the characters in “The Hidden Kingdom” [see review below]-
What was the origin of Prince Osamu, the arrogant prat turned soldier king?
The whole book started with a single sentence. I wrote it for inclusion in a book which was intended to kick start ideas in children and encourage their own writing . The original sentence went something like, ‘The Prince woke to the howling of wolves’, and I thought, ‘well I would like to write that story myself and see what happens’, and so my Prince was the first settled character around which the story built. I imagined him as a pampered princeling in a fairy tale forced to confront something very big but I wasn’t sure what it might be at the beginning of the process.
Why Baku and the Snow Maiden? Is this a tip of the hat to the Brothers Grimm with their tales of transformation and tragic love, thinking particularly of The Little Mermaid, but with role reversal?
Not quite, Baku and the Snow Maiden were in a separate book, based on a Japanese myth story. It was only after working on both discretely for a few months that I realised in a flash of inspiration, (which now seems obvious but didn’t at the time), that they belonged in the same book as Prince Osamu.
Lissa, the warrior maid, is a thoroughly modern miss. What were her antecedents?
I think Lissa is to me quite clearly based on the character and beauty of Zhang Zi Yi in the film Crouching Tiger Hidden Dragon, that is exctly how I saw her in my mind, fiery and difficult, but dedicated to the saving of the Prince even though she begins the story despising his weakness.
Secondly, the lead roles in the very visually realized, “The Haunting of Charity Delafield” [see review below]-
Charity Delafield, is a quintessential heroine for a disaffected generation. The working woman’s children, tossed from home to childcare, child care to school and back and never long enough in one place to identify with it as ‘home’, whom I suspect ask ‘Who is Mum? Is she really the hollow eyed lady who picks me up late afternoon/early evening, rushes me through dinner to bed and pulls me out in the morning, drives me and drops me off with a stress fraught kiss and a wave?’ Charity is a brave new kind of heroine, finding her way, finding herself. In a seemingly disaffected world. What inspired her?
Charity began life as picture book idea. I had drawn some rough sketches of a girl in a long red coat out in the snow in an old fashioned formal garden. I liked the place and time of the story, the only difficulty was that there was no story. At about the same time my daughter started leaving notes for the Fairy she believed to be in the house and I started to leave replies in minute hand writing, which developed into a nice game. I mentioned them to my agent and she thought it might be worth developing as a book. My editor at Random House, Annie Eaton, always liked the initial drawings and would occasionally enquire if I had done anything with them. After I had finished the Tom Trueheart books, I finally saw a way to develop the story as a novel with the girl in the red coat in the garden. It went through three very different drafts before it was finished.
Do you ever get tempted to ‘storyboard’ the creation of your characters in the way you used to ‘storyboard’ illustrations to a picture book?
I do have visual avatars of my characters in mind usually a strange amalgam of bits of drawings and half remembered films, or people I know or have known and so on.
Have any of your own doodles or sketches actually inspired one of your book characters?
In the case of Charity Delafield certainly yes.
How do you go about plotting a story or does it just flow through mind to pen as if you are scribing from a screening?
I am very much a ‘gardening’ type of author. Apparently there are two kinds of author, Architects and Gardeners. Architects plan carefully, and gardeners scatter seed and wait for the growth. I tend to plan in retrospect, what Bernard Cornwell calls ‘putting doors in alleyways’.
Finally, what are you creating for readers right now?
I am working on several things. One is a book of my own poetry (for grown ups) called, Behind The Dusty Glass. This will be a limited edition and finely printed on heavy paper, illustrated by me too, and in the case of the special copies each illustration will be hand coloured by me as well.
Click here for a preview of poem and illustration for “Behind the Dusty Glass”: “Flora at Kings X” by Ian Beck from forthcoming “Behind The Dusty Glass”
I am also publishing a book of poetry which I have written as if I were someone else; namely the husband of Lucia in the Mapp & Lucia books of the 1930s by E F Benson. He is called Pepino by Lucia and his book is called Fugitive Lyrics. The poems are mentioned in the novel and the appearance of the book is minutely described. He is dead and Lucia wants to be found reading the poems in her grief but can’t untie the ribbon on the binding. My late Brother in Law, Jonathan Gili, always wanted to see the fictional book made real and so it is being created in his memory as an elaborate spoof. I have also illustrated the poems and, again, specials will have hand colouring. I am also writing two novels. One is called The Sky Stone and is set in the 1300s, a big adventure story about art, lapis lazuli, and a fallen warrior which will be published by Oxford University Press. For Random House I am hoping to write a series of stories collectively called; The Casebooks of Captain Holloway about a top secret department during world war two in London dealing with the mysterious and the occult and the inexplicable. The first will (I hope) be called The Disappearance of Tom Pile. I also hope to write the story of the Sweep’s boy Silas and what happens to him up to and after the Charity Delafield story.
Thank you Ian! We have a feast to look forward to! Keep us posted! 🙂
Review – The Hidden Kingdom, by Ian Beck
The Characters are drawn very visually in this old world adventure with an Asiatic setting. This is no surprise, as author Ian Beck , is also a master illustrator who half way through his illustrious career turned to story telling himself. The prince, Osamu is very typical of his era and culture, spoiled, petulant, and arrogant. Not a particularly likeable character till circumstances take through him together with Lissa, a girl soldier and Baku, a humble potter’s assistant and the three of them find themselves fleeing for their lives in an unforgiving winter, though lands torn by war with a supernatural origin. Will the prince find his destiny, despite himself, as leader of his besieged people? Will the young potter ever find happiness with his love and nemesis the mysterious snow maiden? And the fierce soldier girl, is she capable of more than dealing death? http://www.youtube.com/watch?v=DyLad-6odnw&feature=related
Review – The Haunting of Charity Delafield by Ian Beck
Have you ever felt you are a stranger to your own family, a prisoner in the life you find yourself living? The heroine of Ian Becks’ latest YA book experiences exactly that. Her father treats her a bit like a potentially dangerous alien, surrounding her with rules and regulations so she feels a prisoner in her ‘home’. And where is her mother…? Children are good at unraveling conspiracies of silence, and this is exactly what Charity does with the help of a mischievous chimney sweep and a curious black cat. The cover is wonderful, a genuine enticement to open and savour contents, but then Ian Beck is a master illustrator as well as an award winning author. Peopled with larger than life characters and a magical world within a world, this is a thoroughly enjoyable read. The central character deserves a revisit in another adventure. http://www.youtube.com/watch?v=_XMwYigBNiw
By happy accident, I discovered the way to travel interstate, overseas, inter-culturally and explore the ambience of remote towns, cities, country lanes and outback outposts. Air tickets – well that’s the ideal, but no, I used Google Earth.
It started with my trying to locate a lovely country home in West Hougham, Kent, England. It was featured in Country Life for September 7th, 2000, and was the
inspiration for my story “The Dolls’ House in the Forest”. I was fascinated by the quaintness of the architecture compared to anything out here in Oz and the size of the immense, almost regal trees forming a perfect backdrop to the house. I tried to relocate the house by doing a ‘street view’ saunter down English lanes in the vicinity. I located the area on the map and zeroed in from aerial to ‘here I am virtually walking down this street on the other side of the world the environs of which I just happen to need to explore.’
I didn’t find the house, but I had the most wonderfully inspiring time wandering down country lanes that were little more than wagon tracks, great boughs canopying overhead and wildflowers dotted in the fields…
Now, if I need to capture something of the ‘feel’ of an area. I seek out an address. Real estate notices for sale/auction/for rent are a good source, then go explore in Google Earth. Wander around that area, exploring the architecture, streetscapes, lifestyles evidenced in things as random as street art, verge gardens, bus stops, signage, graffiti, shop window decor, fences or lack of, litter, strays and the bystanders to my wanderings. Don’t forget YouTube – Example – Dingle, and with Celtic song overlay Dingle
I have also found that exploring the Realtor advertisements in the area I am exploring gives insight into the lifestyle and inhabitants of the town. Many homes give a slideshow or even a video tour online. This helps you pick up on details of life – home decor, layout, from wall hangings to cushions, scatter rugs to artwork, the placement of chairs to take in a much loved outlook, the windows and their views out, the garden. Example.
Perhaps this sounds a little bit the voyeur. It is not the intention, far from, it is seeking faithfulness in recreating a ‘feeling’ for place. It is gathering the elements of story , setting the stage, arranging a convincing backdrop to the action!
Lovely example of a virtual tour – 1893 mansion, St Georges Road, Toorak.
Another lovely virtual tour – historic “Douglas”, built in 1881, in Birchgrove, Sydney.
The tips above, of course, are beneficial to illustrators as well. Not many can afford to jet around the world on location research for images. Other ways to ‘get in the setting’ for free include YouTube clips. This is even a Youtube video clip on West Hougham, Kent. Sadly, it doesn’t feature that house…
Other ways to ‘get in the setting’ for free, besides YouTube clips, are Flickr and photographic collections held in State Libraries and on places like Pinterst. Jeff Faria recently sent me a great link to early circus posters – fascinating. Little did he know I am currently writing a story which involves Civil War period circuses in the US.
If your story requires an historical setting, you are in luck! Heritage listings in Australia and the UK are excellent.
Below are some very useful research sites for historic buildings in Australia –
Federation style dwellings lists many excellent buildings, of which Alister Brae, Pymble is an outstanding example.
Additional links are given for some residences, as in the case of “Venice”, Randwick.
The NSW Heritage database also gives excellent information. TIP: Put in the street name and the suburb to narrow your search for a particular building. Just putting in the suburb will bring all heritage listed buildings in that suburb. Putting in the street number and street will draw a blank. Putting in the property name will sometimes bring up additional material otherwise unaccessed, e.g., “Glen Rhoda”, a gothic residence in Woollahra. Using the name in the search brings up information on the existing residential property, No.71, and and an additional link to the listing for, No.67, property formerly part of the original “Glen Rhoda”.
For anyone researching Kew, Camberwell or Hawthorn buildings [mainly but not only residences] from 1860s through to 1969, this site is a must. Other Councils will have similar sites.
Open Gardens, Australia has links to various of its most notable gardens. Windyridge shows the garden in all four seasons in a map based virtual tour.
International settings – the virtual tour
Aside from a drop in to street level via Google Earth, many online sites feature virtual tours of historic settings, buildings, rambles around towns, cities and country areas. A few examples –
Eilean Donan, the iconic Scottish Castle featured on innumerable calendars, tourist brochures and used as a location in numbers of feature films [you need Java 7 to see the virtual tour on the official website] can be viewed in Youtube Clips.
The best clip of Eilean Donan, features a commentary on the Castle’s history and shows the exterior, surrounds and interior in much more detail.
Neuschwanstein [Castle that inspired the Disney fairytale castle] – site tour;
Virtual Tour of Neuschwanstein with commentary in English subtitles;
Virtual sight-seeing – contemporary and historical
A walk around Paris by video [sadly not signposted but gives a good overview of everyday life];
Tuileries, Paris surrounds, exterior, interior in brief;
Whatever the historic building or the town, you are quite likely to find a youtube clip or at least flicker photos, then there is always Google earth! Have fun!
Can’t remember when I’ve had so much creative fun with such a fantastic group of multitalented folk! 13th to 16th January we arrived in from all over – WA, NT, Vic and ‘locals’ Christian and self. We were housed in the Gatton Motel, a leg stretch away from the main venue, not that we needed to walk. We were chauffeur driven everywhere by local Minibus/taxi owner Sue.
This is the door to my room, the non-existent No. 13, on 13th January, a Friday, how lucky can you get! Interesting how many places omit room 13, floor 13 etc etc. Do folk really think we are so bound by superstition and hangovers from the dark ages that we will eschew a room or a whole floor just because of a place in a numeric sequence? Evidently it is so.
Craig and I had joint sessions with small groups of ardent attendees in a series of workshops. All interacted with us freely and kept us on our toes with their questions.
We started with a draft of my story about the cow that swam the Brisbane river during the January 2011 floods. It was over 700 words [too long for a picture book] but gave the background Craig needed to locate the story and characterise the little cow. This is a link to a newspaper article about her amazing survival swim.
It was a revelation and a privilege to work with Craig one on one as he sketched out his visual thoughts on the story with me reading excerpts and the audience interspersing with comments. I cut swathes from the text as Craig’s expert hand created wonderful image after image.
This is a glimpse of the creation process –
- A view of the Brisbane Rive in flood provided by Kim Byron from her newspaper collection on the event.
- Craig working on a charcoal image of the little cow. He has a strong feel for movement and can create a whole range of emotions with sometimes the barely there addition of a line or a smudge.
I love the way illustrators climb into the visual universe of a story. Text says a family is sitting in a kitchen. The illustrator will look over their shoulders, look out the window, go out into the next room, climb the stairs to the attic or down to the yard and see where the house is located in a community.
[more coming… I just need to sleep now…]